jack dice is a new project from john twells and walkmaster flex, now releasing their debut ep for modern love. john twells, amongst very many other things, runs the type label and has been producing music of various different disciplines and varieties over the last 15 years. although hes never released anything on modern love before, hes a long time friend and associate of the label. walker is the manager of main attrakionz and has been djing with them for the last couple of years as the official green ova dj. jack dice is fuelled by an interest in bass, twells being a car audio nerd and walker having an obsession with 90s southern rap music. these are their first tracks produced together, who know what might follow.

the verwunschen ep got influenced by many deep house music, tech house, but also by electronic underground music, which was not made for the club. a mixture of this and organic instruments, which are typical for his music, made the music warm and melancholic, but the cutted vocals brought a little clubby atmosphere in the track. in the bonus track >bosporus< you hear the influence of berlin tech house music. trumpets were very popular at that time in berlin. the track was only made for the club. remixes from marlon hoffstadt and matthias kick were organised, who did their own interpretation and showed some other sides of the song.

nach weniger als einer handvoll singles und kollaborationen mit joakim und french fries hat sich bambounou bereits jetzt einen namen als eines der vielversprechendsten neuen talente elektronischer musik gemacht.

xoom recordings is a new irish label run by matthew collins. its emphasis will be to release what matthew considers to be his vision of true house music and melodic techno through his own productions and other artists that inspire him and also share a similar vision.

the torino scale ... is a way of gauging the potential damage that may occur in the event of an impact from asteroids or other objects from space. as the richter scale measures the strength and potential damage from earthquakes, the torino scale is used to measure the potential for damage from objects striking earth. it is all about impact... but it is also about beginnings, as scientists discovered that primal dna might have been carried to the earth by an asteroids collision with earth. the torino scale is the debut solo album from berlin based producer and supersoul recordings head xaver von treyer, aka xaver naudascher. the result is astral pop music that swirls around the idea of beginnings, ends and aggregate states, whilst staying true to the known supersoul sound - strong connections to dance music (krautrock, italo, chicago and detroit) without being nostalgic or exclusive to one style.
limited edition of 350 numbered copies. comes as red coloured, black & white marbled triple 12 inch vinyl in heavy cardboard box, including cd-copy of the full album.

takaaki itoh from sendai/japan returns with a solid 12inch ep on his own wols. 2 brand new tracks on the a-side might work great on the clubfloor, on the other side sleeparchive of berlin delivers 2 rmxs of stoned & banging loopism. enjoy.

this autumn brings a rare treasure to all you music lovers as markus schatz finally throws in a unique piece of art. >smokin wild< not only stands as the lps title - the album itself is hot, smokin, sexy and wild. markus has worked on it for over two years and put in all his passion and the most dedication. he repeatedly had musicians at the studio recording voices, pianos, brass and other instruments to keep his masterpiece as authentic as possible. have a listen and you will find out why this album keeps you on the dancefloor. its deep house style surprises you every now and then with chicago and nu jazz influences. this idea leads you through the lp and bestows it the potential to make it one of your favourites.
cd-copy of the full album included.

after having blessed the world with >soarex< released on our sublabel irr (international records recordings), including a remix by ada, we would now like to welcome von spar to areal. and this time, the remix comes from no other than techno legend john tejada. with >jon voight<, the hamburg-based artists have created another epic masterpiece in line with their earlier electronic tracks: great emotions, melodies you will never forget... in other words: a track that will send something of a shiver down your spine. tejada, of austrian decent now living in the united states, shows full respect for the original version and comes up with a remix that has proven immensely effective on the dancefloor. it so effective that we still find ourselves awestruck in the studio. well, in the meantime, we have to admit that we went out to one or two parties, but only to find ourselves back in the studio again, still awestruck.

the latest saved release comes from duo superhero , who deliver 2 unique tracks. the group is made up of leon and toky who have released under this project on only one other label noir, and this time round present the new york ep

church is a much respected london party that invites the likes of juan atkins, darling farah, marcellus pittman and other such underground heavyweights to their events, and have done for 18 months. now well established, founders seb wildblood & apes are taking the next step and launching a label of the same name after dipping their toe in the release arena with a lorca white label, ‘faith evans refix’ which was out in late september.

we are pleased to announce the drh edition of the kern exclusives, featuring 3 tracks included in dj deeps latest mix cd on tresor records. bleaks noon shape is a great unreleased techno jam, deep and haunting. we are happy to re-introduce one of drhs classics by dj gregory, the superfunky headtalking. and for all those of you who have waited for a repress of what is becoming another classic on the label, here is the long awaited kerri chandler edit of rootstraxs harlequin. we hope you will enjoy this, and please also check out the kern rarities ep on tresor: featuring a.e.ss music in my head and santonios never-released title from 93 forth, amnesia. along with xperiments karn evil #10 and mix-closer iii, an early record from st. germain as deepside. the other 12 inch on tresor, the kern exclusives ep is a collection of tracks picked by dj deep exclusively for the compilation. originally designed to appear on his computer games album in 2008, kerri chandler signs the a-side with cobal propped on the b-side by new french signee marcelus, y02, and psyk wielding his maan alias on jackin.

the man who brought saltyness into house music- julius steinhoff - comes up with his second solo 12inch on smallville- so glad. connecting to salty days - one of the longplayers of the decade by smallpeople (aka julius and dionne), steinhoffs soloworks strike even more voluptuary with slightly rapturous pleasure. being founder of hamburgs finest record store and label, smashing worlds deepest parties with guests such as omar s, jus-ed, mike huckaby, xdb, steven tang and tons of other favorites, julius steinhoffs knowledge has been compressed to a state of the mind 12 inch.

after all efforts were put into jacob korns debut album during summer 2012 uncanny valley strikes back with namesake jacob stoy and his very first solo ep after his s51 for the uv010-compilation. everything starts with redensart, a sunny piece of music with a sneaky bassline and easy synth pads that come across like a warm rain shower: its house in the end but feels like so much more. hauswart is an impressive example of how one can create a whole atmosphere of sound within two minutes. its short but feels so comfortable that you really like it to go on and on forever. start is maybe the most conventional deep house track on the ep and seduces with catchy synth chords and thrilling drums. finally gegenwart brings things to a jazzy end with tipsy synths and tripping percussions. the artwork comes from none other than jacobs father olaf stoy, who is a painter, lyricist and porcelain designer still working in jacobs hometown rabenau near dresden.

four exclusive tracks from elbee bad that conclude the true story of house music compilation on rush hour ... more class cuts!
following the recent elbee bad compilation, we bring you four more tracks that were not included on the album. this ep showcases tracks that he produced for and/or with other artists. more classic stuff that was released on some of the leading nyc house labels at the time. keith, kat & blondie for nu groove, lord kcb for easy street and the wizard & the prince for city limits.
this release again shows the early house mastery of elbee bad as well as his diversity. the keith, kat & blondie shows his deep, eerie side, his freestyle vibe on the wizard & the prince track (which became an early uk warehouse/breakbeat hit) and his hip hop roots on the lord kcb track.
again, a fine example of the formative years of nyc house music. unmissable!

german maestro ulrich schnauss teams up with label owner asc for an ep of epic proportions. four sublime pieces of music that really show the pairs talent. with each piece, you can really hear both of their signature sounds playing off each other. essential listening.
pressing on transparent dark green, smokey marbled vinyl.

here it finally is - fake bloods eagerly anticipated debut album >cells<! renowned for his hi octane, electro-influenced productions, this record is set to be one of the standout albums of 2012. theo keating, in true maverick style, has forged his own path as fake blood- a hard-hitting, multi genre artist with a cult following like no other. his previous releases, >mars< and the >fix your accent ep< that features the hit club anthem, >i think i like it< gained rave reviews among press and fans alike, cementing the man as a leader of the scene.
double 12 inch vinyl in gatefold sleeve, pressed on heavyweight 180 gram vinyl, code for free mp3 download of the full album included.

nice price deal !!! after the massive big bad and heavy, savage rehab 360 degree ep, dj chaps inna streets and a wealth of other releases, the v camp continue to keep things moving with this stellar does not compute release.
a brand new act, does not compute lean towards the classic sounds of old - but with first rate production that is very much cutting edge. invoking the underground sounds first pioneered on v by the likes of artificial intelligence, does not compute are a breath of fresh air for the dnb scene.

use of weapons 5 lands noisily in your back yard with five house marauders hotter than salma hayek eating a hot apple pie. five different artists bring the bacon: label heads deep space orchestra remixing themselves, ex-cosmic boogie overlord asok, perseus traxx, other worlds and wet play executive board member ruf dug. dont forget to bring a towel.

nite recordings third 12 inch brings a amazing production by deep mariano & yoshitaca together. this single gives us an original song called oh yeah! with a crazy voice sound and very fat bass line. in the other side of the vinyl we have a deep house song called smog, perfect for warming every dance-floor. also we have a remix from fer marino of oh yeah! which highlights the crazy voice with classic 909 drums. a must-have 12 inch that you can play a any time.

the oliverwho factory on dolly! the mysterious duo from detroit (madd chaise inc, planet e) delivers a relentless techno/house workout in two versions, with all trademark oliverwho elements present including soulful vocals. raw, deep, funky, soulful, futuristic... in other words: detroit techno as it should be. hot & rocking release!

presenting a new collaboration featuring oren ambarchi on guitar, the electronics of robin fox, and both performing on various other instruments. the music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned australian contemporary dance company chunky move for their connected production.

limited edition release on red coloured double-vinyl.
the electric dominance forms resistance! germanys gate to the stars of the international electrofunk, bass & breaks scene – dominance electricity – is back in effect with the long awaited follow up to last years interstellar >astronauten< ep by dagobert & kalson.
the new various artist compilation album electrofunk resistance transports twelve perfectly sexy shaped electrofunk & adult robotpop jams. carefully selected from three continents, the songs draw a colorful mosaic of different electrobreak-styles all sharing an extra dose of funk. for the perfect unity of sound and vision, the accompanying cover-artwork is provided by none other than japans legendary sexy robot illustrator hajime sorayama.

the first reference of this argentine label, monochromatic records, it is a serious bussiness. in one side, specter - a chicago producer that edit by labels like sound signature or sistrum- with a pure class organic and deep warm up track. on the other side is the banfield audio track, with a more floor oriented but yet deep and warm analogic sound.

>blurry< runs at 133bpm allowing it to sit neatly between dubstep tempo and the increasingly popular 125-130 bpm bass / house scene that has been developing in the uk over the last couple of years. taking things down an ongy-bongy path, this rhythm provides the soundtrack to a hunter chasing his prey through a humid jungle landscape, with fast weaving beats charged heavy by the deadly subs. the heat is on.
>spearhead< sees roska making a rare 140bpm trip, taking this rhythmical excursion neatly into dubstep tempo territory, creating an original cut which sits in its own world of tribal grime. the bassline pounds heavy, eventually rising upward before suddenly plummeting back down to the murky depths from where it came, and back round again. dis-hyeer quality dubstep music produced pon the other side of the looking glass.

subwax bcn is very proud to present our new sister label detroit dancer! on this first release we give you no other one than detroit legend santonio echols! mr santonio got famous in the late 90s with vital releases on labels such as kms, serious grooves, made in detroit, express, siren and tresor, from which he made a true mark in techno history. on this release you get three tracks of pure detroit dancing moods and including a fresh remix from orlando voorn, another pioneer in the world of detroit sounds!

this is n eight track release series built of four remixes and its previously released originals now in form of a re-issue to complete the series. successful tracks like lufts >in high spirits< or even more secret gems like livu grozas no love are brought back on stage by being amazingly remixed by other raoul artists or friends of the label. the first edition features remixes and originals from: luft, crowdpleaser, liviu groza, digitaline, emilie nana and dollar mambo. the vinyl edition includes only the new remixes.

the electric dominance forms resistance! germanys gate to the stars of the international electrofunk, bass & breaks scene – dominance electricity – is back in effect with the long awaited follow up to last years interstellar >astronauten< ep by dagobert & kalson.
the new various artist compilation album electrofunk resistance transports twelve perfectly sexy shaped electrofunk & adult robotpop jams. carefully selected from three continents, the songs draw a colorful mosaic of different electrobreak-styles all sharing an extra dose of funk. for the perfect unity of sound and vision, the accompanying cover-artwork is provided by none other than japans legendary sexy robot illustrator hajime sorayama.

here we go with the next release on frank mullers mad musician from the techno headquarter berlin. some might know this track from franks live performance as beroshima. ken ishii heard this track in japan and offered to do a remix. we dont have to explain ken ishii and his nice releases. he has been on the scene for almost two decades and has influenced the japanese techno scene like no other. two other mixes are done by frank muller himself. his alter ego beroshima mix is is pure techno spirit and simply rocks the shit out of your lazy bones. brand new and good for you!

so you didnt get that last firecracker that came in an incredible sleeve and was limited to 45 copies? well now you and the other 99% of humanity can at least own the music contained within it with this regular re-release, and to be honest although the sleeve isnt hand-weaved by a peruvian tribe centuries known for their mastery of textile craft, the one yer getting here is pretty goddamn sweet. bringing together calypso rhythms and bernie worrell-does-acid lines, fudge fingas >untytled< is an exemplary example of why everyone is in admiration of the geezer, and that is because he can actually make actual music, with compositions and melody and all that. excuse the lofty jargon. linkwood bring equal heat in the form of >secret value<, but guess what? fudge fingas has gone and blessed it with the refreshing audio equivalent of yer girlfriends mint & tea tree shower gel, adding liquid bass and lush keys. the fingas finishes off the e.p with one of his most interesting tracks to date >minus 616<, a dense, immersive piano piece that proves that getting this e.p out to a wider audience was just simply a righteous and necessary move. take that skinny tie off, wrap it round yer arm and mainline that uncut funk, baby.

this ep consists of 4 electronic but organic tracks which make you and me, we an ep that allows you to sense the vibe that these artist share with each other producing in one studio and being friends.

as the title suggests the new before the show album depicts beginnings and endings. we believe that life has many different beginnings and endings, and that the various journeys we take from one beginning to one end are filled with detours – and it is these detours which continually shape and define us as the people we are. musically years&years&years picks up where hearts and heads left off, however, it has developed towards a bigger and more complex sound image. it can best be described as a combination of sting and peter gabriel on one hand, and smashing pumpkins and radiohead on the other.

captain filippo naughty moscatello cruising again. close to his recent success with verde, the ambassador of italian house delivers a high-grade next release on save the black beauty in collaboration with moodmusic records. >blu< is the second part of a life cycle trilogy. no other than steve bug and daniel dexter give their signature on this with a massive combo remix. quality house, limited to 299 copies, 180 gr heavy vinyl execution, transparent blue. infinity. max 1 copy per customer / max 1 platte pro kunde

badance is a deep house and techno label based in paris, france. our label is for us a platform for beauty, dance, experimental, and every nuances that the spectrum of music has to offer.
for this first ep, we want to share with you who we are, what we love and what we will do. the name of the flight that marked the beginnings of badance was naturally chosen. we are proud to introduce you bmbf aka benny must be free, born and raised in paris. he travels through music to detroit, chicago, berlin and many other places in the world. he wanted to share this ubiquity by choosing artists from around the planet. naturally, one the main references in the world of deep house and techno was chosen: patrice scott. he created an inspiring abstract dubby remix. banfield audio as friends and music lovers were exactly in the vein of the artistic direction of the ep: deep, deep, deep. experimented and sensitive, they gave to >surround me< an abyssal atmosphere that fits perfectly with the whole ep. underground quality was searched we hope we found it. now, listen, share and enjoy.

for the first solo ep on horror boogie, fedka the irritant steps up, after his outstanding track on horror boogie 01. fedka the irritant is probably best known as the trombonist in the excellent band pest (ninja tune), alongside ben pest (panic bridge, victim, bonus round). he is also a seriously original and versatile producer in his own right. he has released on panic bridge, alongside the other pest members and his trombone techno live sets are something to behold. here, he drops four varied tracks, starting with the behemoth >words for friends<. a heavy slice of wonky techno, with a big kick and rasping synth. next up is one uncertain eyebrow. a building, funky, fuzzy acid-laced track that drops harder and harder as it goes on. on side b, calypso-flavoured, jazzed up >stick it< progresses on to a become a warbling bass effort with a smooth hip-hop vocal. last but not least, is >you only die once<, another funk-laden monster, with a killer slap bass line.

everything in valse lucht twists and turns, yet it remains catchy and playable like no other. linnenhoods step write is slightly calmer, a perfect early-hours-track and a 9 minute trip through the darker parts of the wood.

mussurunga - that is the name which is used by the complete body inked cousins sigi aigner and didi bruckmayr for their outstanding performances on club dance-parties, festivals, free-parties and weddings in the home- and foreign-countries since more than two years. at their shows they use deep bass-lines, demanding beats, gentle hooklines and raging 3-d objects. the large sized mr. state-opera-chorister aigner and the dwarfish universal-bush-leaguer dr. bruckmayr also are known for their benedictional work with the performance-group fuckhead, for them they count as finded minds. mussurunga is a frowing suburb of the brazilian provincial capital salvador da bahia, which aigner and bruckmay vistied job related. while one of them waited without success for a date in mussurunga and spent all the spondulix which was meant for the taxi, the other one worked very hard in the regional beach-bars on artistic concepts. the result of this jobshare is, among other things, the present ep.

tribute continue to chart the deeper, funkier and more balearic musical territories with their mighty dj friendly reworks. for the latest edition, cut n paste duties are rumoured to be supplied by none other than keep schtum (the man behind the amazing hang together remake) and he serves up a serious slice of dance floor driven funk. single sided vinyl, no digital and with a heavy, heavy cut!

just a few months after polar era, their acclaimed second reference, lycaon records casts the next, end of times. its a bit peculiar third product since, as its name implies, it means that time comes to an end: past, present and future. as in the previous deliveries, two cuts original by agony forces are accompanied by two remixes, one by the enigmatic swedish abdulla rashim and the other by the booming nx1.

parkway recordings is pleased to offer you the first taste from their sister company parkwest, a new home for the latest progressive dance & house music. in a market awash with cookie cutter deep records, parkwest aims to bring you house music with soul and substance, fresh … but with no sell by date. in other words, records to cherish. for the first release we are excited to welcome the very talented librah to the label. his first release 2bwu (to be with you) is hypnotic and sensual music at its best, wearing those nj / ny roots on its sleeve, we love it and are delighted to share it with you!

>a correction< is the new album from fieldhead and continues the dusty, bereft sounds of previous releases – they shook hands for hours (home assembly 2009) and riser (gizeh 2010). 2010 saw paul elam depart the uk for vancouver, canada and there is no doubt that the vast northern candian landscapes have influenced the new fieldhead material. the familiar tape hiss, scratchy, decaying atmospheres remain in place but with a correction elam has managed to sculpt a vaster, more expansive palate of sounds. minimalistic on first listen, a correction is a record which slowly unfurls on multiple listens to reveal subtle melodies and details that dont distract from the overal ambience but in fact set apart fieldheads music from many other, safer artists within the genre.
limited edition 180 gram vinyl, includes code for free mp3 download of the full album.

following on from the success of last years single >valley of paradise<, psychemagik are back with >magik cyrkles<, a new compilation for leng records. as well as prolific producers, psychemagik are also vinyl collectors at heart, a passion that has led them to be the go to guys when other collectors are looking for that elusive piece of wax. amongst their many happy customers are the now satisfied and influential names of soulwax, chemical brothers, lovefingers, q-tip, fake blood, tom middleton & lord finesse this love of digging deep for those obscure and long lost vinyl gems is the basis of their new magik cyrkles compilation. the fruit of many years digging, the compilation is a snap shot of music you might hear in a psychemagik dj set down in the sweaty basement clubs of the world and in the big tops of the festival circuit. the album takes its inspiration from all corners of the globe, travelling through psychedelic funk, cosmic disco, balearica, middle eastern beats and beyond… the album features artwork designed and illustrated by acclaimed oddball image-mongerer luke insect, and comes with four new and exclusive psychemagik edits. limited to 500, heavyweight gatefold lp with metalic finish.

mooch recordings kicks off with the imperial street ep from quenum, the man behind cadenza and a back catalogue of hits across labels crosstown rebels, orac, soma, trapez, to name but a few. his his legendary set back in july cemented his place in the mooch hall of fame and also put him on the radar for the first ever release on the label. quenums hypnotic, groovers on this ep are just right in building up the night, riding through peak time and out the other end down at the afterparty. on remix duties we have invited tim xavier to weave his tech magic and add his signature harder, darker sound to this killer ep.

to do things, that are not quite usual, free from standards and away from drawer think is here the topic of the next sono vivo catalog number. there are every time again different >things<, that influence the emotions and the life of one person. and that is exactly what wigbert wants to express with his new single >things<. the focus of things is the acid similar moogbassline surrounded by percussive and drum-like elements, which produce a special groove. slowly and full of energy one increase after the other devolopes during the track, until it reaches its peak after the break. souvenir and freebase records artist chris wood took the original track and created a nice tech house remix quite to his style. with a mixture of techno and tech house, old school and new school the topic >things< is brought expertly to the point and you can find it to the peaktime on the dancefloor for sure!

another undercut by one to one records this time with alex m (italy),who gave us two vocal tracks with 90 influences.on board with hot remixes, this time its jay bliss turn (2020 vision) and,for the other one,a partnership between mazu (waveform recordings) together with label boss john stoongard....

keeping with tradition, the second italojohnson release of 2012 once again presents itself in the likeliness of a 12inch wax with three tracks. the one-track mind repeats the same funk-nationalistic character of italojohnson and once more shows its simplicity. this tune comes to its rite where it is loud and dirty but even headz sitting at home will be able to feel the sun rise. boom shakalaka. the double-track side has some surprises in store for its listeners. for those in the know, the first track is also known as >bootytrack<. this track always pushes the low end to the limit and under the right circumstances guarantees some hip swing. number two may sound familiar, but even if you dont know its rootz, youll still be down with each other

a sonic journey like no other- harry axt takes you on a ride through the dimensions of sound. begining deep harry gets dirty with dimensions then delivers some top tier tech-funk with drifting. the third stop is 2 faces, perfect for the remaining open-airs of the summer with a melody that will stay with you long after the journeys over. with its unorthodox vocal loop and a jacking four-to-the floor-beat!

here we find a couple of heavyweights facing off with one of the centre pieces of orgue electroniques acclaimed >strange paradise< album. on the one hand we have kink & neville watson (an unlikely pair blabla but you know all that) with a swooning but rather pressing epic that unexpectedly turns into a harmonious vortex. and once you have crossed its event horizon it proceeds to quite exquisitely tear you to shreads. marvel as you turn into jelly and watch your legs grow longer and longer in what not only seems like an eternity, but actually is cause umm technically, like, there aint no time in a black hole dude! code! speaking of which, if you ever do make it to the other side, you will find up n cummer willie burns (who is known to many as the brooklyn budgie smuggler) oldschool jacking the faders with two of the sikkest organic beat tracks north of the corpse of ron (who is in a dead heat with jimi, jim and james in the race for most desecrated musician in like 4evah). anyhow, these jamz come courtesy of the sp12. feel it feel it feel it feel it... boom knock out!

elbee bad is another great underground house pioneer from the formative days of nyc house in the late eighties. the true story of house music finally gets told... tip! like the burrell brothers, elbee bad aka lamont booker, is an early house producer from new york city. and the comparison doesnt stop there. elbee bad has also recorded under different aliases and has also remained largely unknown to a wider audience. he has also recorded for nu groove records, for which he has recorded his most famous material, but like the burrells he wasnt a nu groove fixture. bad recorded for a slew of other independent new york house labels like bassment, city limits, easy street, red heat, united states of america and then there was his own larhon records

subforms are two young ukrainian artists: yevgeny konovalov and dmitry oleynik.having already published their work across several european territories - and even as far afield as argentina - the duo maintains a clear - and explicit - commitment to minimalist fabrics. in other words, silence comes to the aid of resonant, dubby structures. the less a soundscape is mapped out with human endeavor, the more it is surrendered to emptiness - and therefore to potentials.